Issue #4
July 31, 2001

Welcome to the fourth issue of ColorNews, a periodic update on all things related to Color Management. Please let us know what your interests are so we can address these concerns in our coming issues. ColorNews covers newsworthy items including new product releases and updates, and interesting, informative web sites. Each issue will include a feature article covering an aspect of color management such as profiles, workflow, and so forth. In a visit to CHROMiX.com or profilecentral.com, you opted to receive this newsletter. You may have also heard Steve Upton speak and requested more information. If you have received this message in error, we apologize. We value our relationship with you and do not want to spam you. See below for details on how to provide feedback, how to unsubscribe, or how to become a sponsor.

Table of Contents

1. Color News
2. New Releases
3. ColorFAQs - this month's FAQ is on Color Workflow
4. ColorNews Administration (feedback, subscriptions, etc.)

Color News

- ColorVision's OptiCal and PhotoCal bundles are now even better deals than they were before! The OptiCal/Spyder, PhotoCal/Spyder, and RGB Suite bundles all now also include Adobe's Photoshop Elements - for no extra charge! Follow the link below for more details on these great buys!

http://www.chromix.com/chromix/pages/store/toolframeset.lasso?contribid=916

- Back by popular demand! Our president, Steve Upton, has been asked to speak at Seybold San Francisco this September. Interested in attending? You should be! Go to http://www.seyboldseminars.com/ to sign up so you don't miss this exciting event. And while there, don't forget to look for the CHROMiX booth! Yes, we will have a booth in a great location in the South hall (the big one). Booth 1445 is centrally located and near the back behind the Wacom booth and beside Canto. Come by and say hi!

- Do you use Red Hat Linux? If you're running Helios Ethershare and PC Share in this medium, you can use their Ethershare OPI product to do ICC color conversions on images printed through print queues! For more, visit:
http://www.helios.de/

- About ColorNews format. Thank you everyone for your great feedback on the preference for HTML or text formatted versions of this newsletter. We were a little surprised at the number and passion of the responses. Overall most people preferred the text version of the newsletter with a few requesting HTML and a few others suggesting PDF. For now we have decided to stick with the text format until our server system can handle dual versions. Then perhaps we will offer HTML as well. Thanks again for your feedback!We are always happy to answer any and all questions you might have.

New Releases

- ColorVision announces updates for most of their software products. In particular, Profiler Pro's v 2.1 now includes Profiler RGB and Profiler CMYK as part of the product, and also provides full support of CMYK workflows in Photoshop 6 - handy stuff! They are available for free download for existing customers at:
http://www.colorcal.com/software_upgrades.html.
- GretagMacbeth has the first update for iQueue available for download from their website. Version 1.0.2 for Mac and Windows now makes it possible to start queues without a dongle, and to process PDF, PS and raster files. Go to:
http://www.gretagmacbeth.com/
- Apple has posted a good article on ColorSync in use with Ice Cream. Certainly a combination of two of our favorite topics. See it here:
http://www.apple.com/hotnews/articles/2001/06/kroger/
- Bruce Fraser has written another great article, this time on "Color-Correcting Photographs in Photoshop". You can find it here:
http://www.creativepro.com/story/feature/13486-1.html
Also, as if he wasn't busy enough, Bruce released his newest book "Real World Photoshop 6" which he co-authored with David Blatner. As with their book for version 5, it will soon become our mantra for people struggling with color and wanting a good book. Chapter 5 has been expanded to cover all the new color goodies in Photoshop 6.
http://www.amazon.com/exec/obidos/ASIN/0201721996/chromix/

| A D V E R T I S E M E N T

|
| Eye-ing up the new Eye-One from GretagMacbeth?
|
| Have an old ColorTron sitting on the shelf somewhere?
|
| Get the Eye-One, save up to $250 off list and clear off that shelf!
|
| For a limited time, we are offering our ColorTron rebate program.
| Purchase an Eye-One and send us your ColorTron within 30 days
| to collect your rebate. It's simple and gets you into the
| Eye-One system quickly. But hurry - this offer good only till Aug 31!
|
| The Eye-One monitor will profile your whole workgroup for $600
| - including LCD screens!
| Eye-One Pro with Eye-One Match will profile your scanner, printers
| and monitors as well as build you custom color palettes from
| almost anything you can point the Eye-One at!
|
| For full details, visit our color store:
|http://www.chromix.com/chromix/store/toolsearch.lasso?toolid=477
|

ColorFAQs

Each month, our President Steve Upton will take time to answer questions
we receive on a regular basis. If you have specific questions or
comments, please see below for how to make submissions.

This Month - Color Workflow
by Steve Upton

I think it's about time to talk about workflow.

This article got a little long but when I tried to break it in half for next month I couldn't find a place that wouldn't make me frustrated if I were reading it myself. I always hated that "...to be continued" bit just when the show was getting interesting. So, here it is in all its mass.

Workflow, really, is where I find most people wanting to know the answers. This rubber-meets-the-road part of color management seems to where people start the journey of managed color and the majority of questions in our speaking and training sessions fall in this area. People really just want to know how to make this stuff work.

I always say that you only need two things to have good color: great profiles and proper use of them in your workflow. Even with perfect profiles, improper use of them will create frustration for you.

It helps to understand how all this stuff is to fit together if you start with some basic ideas and strategies:

1. Anything that comes from a device will be in that device's color space and images headed out to a device should be in its color space. This means that your scanner is going to give you ScannerRGB and your monitor, printer, and press should be handed YourMonitorRGB, YourPrinterCMYK (or RGB) and PressCMYK respectively. These device-specific numbers are the reason why we build a good profile for each individual device.

2. The location in your workflow where the conversion from one set of settings occurs (say ScannerRGB to PressCMYK) is changeable and will probably depend on your business, equipment, funds, time and other factors. This flexibility is powerful but contributes to the confusion surrounding color management.

So, let's take a hypothetical example of a scanner, monitor, printer and press. You would like to scan an image, have it look good on your monitor, separate it to PressCMYK, soft proof it on your monitor, and then hard proof it on the printer. Sound familiar?

Looking at just one of these conversions, ScannerRGB to PressCMYK, we see that we can do it many different places: RGB-CMYK in the scanner software, in Photoshop, in QuarkXpress, in the printer driver, in a color server, or in the RIP.

No wonder this stuff is so confusing!
I have counted 4 different ways of doing the conversion in Photoshop alone!
It is important to realize that after the file is separated to PressCMYK it needs to remain unaltered for the rest of its journey to the press. Although it may take side routes to the monitor and printer for proofing, your color for the press is done.

The best method to deciding what is right for you is to use the following criteria:

• Not all conversion points are equal. I trust Photoshop 6 more than most other applications. Photoshop 6 will allow you to perform all the conversions mentioned above with good results. It is wise to test your profiles in this manner. When you are happy with the results, then try applying the conversion elsewhere with the same profiles. If things mess up, you know that the application or RIP you added to the mix is causing the problem.
• If you use Photoshop a lot in your workflow and it is just as easy to convert colors in Photoshop rather than somewhere else (as is often the case with scanner software vs. Photoshop), then use Photoshop.
• Leave your images in RGB farther along in your workflow (like after page-layout for instance) if you are going to send the document to multiple media. Going to CMYK too early in your workflow will result in a file that is good for one purpose but requires reworking for all the others.
• Workgroups can complicate things with the need to keep everyone trained and up to date but they can also benefit from workflow tools as I'll explain below.

| A D V E R T I S E M E N T
| CHROMiX ColorThink - Your brain on color!
|
| If you haven't seen ColorThink yet, you're missing the full
| picture! ColorThink is the color management toolset that
| picks up where the other tools leave off. Manage your profiles
| individually or in sets, scan and fix problem profiles (including
| profiles imported from PC's to Macs). Graph profiles in 2D and 3D.
|
| ColorThink is $129 in our store and is now available as a free demo.
| http://www.chromix.com/colorthink

Most workflows can be roughly divided into single/raster image and composite/postscript images like created with a page-layout application.

In the single/raster image situation you have, for example, a great TIFF file that does not need to be joined by any other elements. Printing these files directly from Photoshop is usually the best course of action. You can either apply the profiles "by hand" in Photoshop using the "Convert to Profile" command or allow Photoshop to perform the conversion on the fly as you print.

When you have composite/Postscript images, like a brochure composed in QuarkXpress, then your life becomes quite a bit more complicated. One single file can contain TIFF's, EPS logos, and QuarkXpress elements (boxes, etc). QuarkXpress 4.1 does have some color management capabilities built-in but cannot manage embedded EPS files and does not allow all the control over color conversions that you may need.

For our example, say we have such a file and we would like to view it on screen (soft proof), print it to our printer (hard proof) and then send it off to press. If the job is only intended for press then I typically suggest that images be converted to CMYK prior to placing in Quark. This also fits most traditional workflows.

To soft-proof to screen, Quark needs to be set with the correct PressCMYK profile and your monitor profile. With the image previews set to 32 bits Quark will do a fair job of proofing to screen but EPS images are still unhandled.

Hard proofing is simply not going to work with Quark for our example due to the EPS problem.

Sending the job to press will work fine however as it's all in PressCMYK and was separated properly in Photoshop.

So what about the hard proof problem? This is an example of several places in today's workflows where color management breaks down due to applications not fully supporting all the features we need. Feel free to bug Quark about this one next time you have their attention, we all need this to work properly in version 5.

There are three solutions to this problem.

1. CompassPro XT is a Quark-specific solution that comes in the form of a Quark Xtension. CP XT allows you to setup the conversion preferences and then interrupts the printing process to convert the document elements on their way out to your printer. It works well but only for Quark and you will need a copy for each member of your workgroup.
http://www.chromix.com/chromix/store/toolsearch.lasso?toolid=395

2. Get a RIP for your printer that will allow you to load the PressCMYK and printer profiles and will perform the proofing conversion for you. This is becoming the most popular choice in digital prepress proofing today. A good RIP will do this job quickly and accurately and this will avoid the need to do this on each machine in a workgroup.

3. The most powerful and flexible solution is a color server. Color servers are applications that reside on a server (not necessarily dedicated) on your network and perform color conversions for your whole workgroup. Most color servers work at minimum with hot folders, processing files dropped into one folder and placing the results in another. You can setup print queues to appear on the network and forward the resulting files to printers, RIP's etc with your existing server software. A full-featured color server will setup its own queues and hand off the files for you.

http://www.chromix.com/chromix/store/toollist.lasso?refcode=cmserve

Color Servers have notable advantages over Quark plug-ins and in-RIP proofing:

• They do their color conversions well, not all RIPs can be relied upon for this.
• They typically have more options for handling RGB files, vector colors, and rendering intents
• The resulting files do not necessarily have to go to a printer. A PressCMYK PDF for example can be quickly converted to sRGB for serving on the Internet. You can also use them for preflighting files by dropping the entire job in a folder and having the server find and separate any RGB files to CMYK using high-quality, reliable settings and profiles.
• The output can go to multiple printers of different types. While a proofing RIP will handling one or two printers well, a color server can take the same PressCMYK file and send it to your inkjet proofer, color copier, and large-format inkjet on canvas and get great color on all devices. This may sound like a dream come true but I assure you it is being done successfully today. RIPs that you are forced to use (like for copiers) but have poor color management capabilities can have their problems bypassed by performing the conversions upstream in the server.
• Non publishing applications like Word, PowerPoint and Excel can be handled properly so you can stop fighting those purple presentations.

There are other benefits of servers but these are some of the most significant. Suffice to say that if you are finding a break in your workflow due to some finicky software, a color server can probably be used to work around it.

Some feel color servers are simply a temporary solution until the OS, applications and RIPs get up to speed with color. I think this is partially true but they have other benefits that will continue make them valuable. Either way we have several years ahead of us before things are updated to the point where you would shut one down and in the meantime we all have better things to do with our time no?

| A D V E R T I S E M E N T
| Studion ColorBlade bundle special!
|
| ColorBlade is a great Photoshop plug-in for testing different
| profiles' effects and also creating very high quality CMYK
| separations from your files.
|
| As a reward for reading this far we are offering special ColorNews-only
| bundle. Any purchases over $200 are eligible for a copy of ColorBlade
| for $139! That's $40 off our regular price ($50 off list).
|
| Remember, this offer is only for readers of ColorNews. To
| take advantage of this bonus, type "Add Colorblade Bundle"
| in the comments section of the shopping cart as you check out.
|
| ColorBlade is $189 in our store:
| http://www.chromix.com/chromix/store/toolsearch.lasso?toolid=475

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ColorNews is edited by Carolyn Hobart (hobart@chromix.com).
Entire Contents of CHROMiX ColorNews (c)2001 CHROMiX
CHROMiX, ColorThink, ColorNews, and profilecentral.com are trademarks
of CHROMiX. All other trademarks are property of their respective
owners.
CHROMiX ColorNews is intended as an informative update to CHROMiX
customers and business associates. We are not responsible for errors
or omissions.
Regards,
Steve Upton
o Steve Upton CHROMiX www.chromix.com
o (hueman) 866.CHROMiX
o upton@chromix.com 206.985.6837
o
o ColorGear ColorThink ColorValet ColorSmarts ProfileCentral